翻訳と辞書
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・ Return of the One-Armed Swordsman
・ Return of the Phantom
・ Return of the Pharaoh
・ Return of the Pride
・ Return of the Prodigal (Cui Jian album)
・ Return of the Prodigal Sunn
・ Return of the Product
・ Return of the Queen Tour
・ Return of the Rat
・ Return of the Read Menace
・ Return of the Reaper (album)
・ Return of the Rebels
・ Return of the Rentals
・ Return of the Rocket Men
・ Return of the Roller Blade Seven
Return of the Rudeboy
・ Return of the Saint
・ Return of the Scarlet Pimpernel
・ Return of the Secaucus 7
・ Return of the Sentimental Swordsman
・ Return of the Seven
・ Return of the Shirt
・ Return of the Silver Tongue
・ Return of the Slice
・ Return of the Sorceress
・ Return of the Storks
・ Return of the Street Fighter
・ Return of the Super Ape
・ Return of the Ten Masked Men
・ Return of the Tender Love


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Return of the Rudeboy : ウィキペディア英語版
Return of the Rudeboy
Return of the Rudeboy was created by the photographer and film-maker Dean Chalkley and the Creative Director Harris Elliott.
The Exhibition explores the significance of the influential style of "Rude Boy" in the 21st Century first took place in Somerset House in London running from 13 June to 25 August 2014.
The subjects of the photographs were more than 60 individuals who's style and swagger, Chalkley and Elliott, felt exemplify an important and rarely documented subculture.〔(【引用サイトリンク】publisher=Return of the Rudeboy Ltd. )〕 It featured the likes of Don Letts (Musician, DJ, Film Director influential in the unification of the punk and reggae scenes), Pauline Black (Lead singer of The Selecter, took the rude boy look and feminized it, Sam Lambert (an Angolan designer and (Art Comes First co-founder )
), (Zoe Bedeaux ) (fashion stylist, designer and singer), Gary Powell (Drummer in The Libertines), Paul Gaba and many more notable people.
Across the 6 rooms, in the Terrace Rooms of Somerset House Chalkley and Elliott had produced and curated life-size, hand-printed images of the subjects who were shot over the course of a year leading up to the exhibition. With many of the photoshoots taking place in a variety of locations linked to the Rudeboy lifestyle. Dean and Harris also collaborated with notable contemporary artists and designers allied to the subculture, to present a prestigious collection of audio-visual and 3-D sartorial concepts including a stepper bicycle custom designed for the show and a barber shop, Suitcases were also included as a nod to Jamaicans & West Indians who emigrated to UK after WWII in their 'Sunday best', Mannequins displaying adapted clothes (such as an oversized Buffalo had and a MA1 flight jacket), specially made artefacts by Kitty Farrow to display the 'Sunday Best' cultural ritual of the Rudeboy.
==References==


抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Return of the Rudeboy」の詳細全文を読む



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